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Damon A. H. Denys
Evening on the Marshes
oil on linen
Damon A. H. Denys
Bay Shore
oil on linen
Damon A. H. Denys
Ocean Lights
oil on linen
Damon A. H. Denys
Catching Dew Drops
giclée print on canvas
Damon A. H. Denys
An Awakening Mind
giclée print on canvas
Damon A. H. Denys
Gold Standard
giclée print on canvas
Damon A. H. Denys
The Soloist
giclée print on canvas
Damon A. H. Denys
October Eve
giclée print on canvas
Damon A. H. Denys
The Weight of the World: Atlas in a New Age
giclée print on canvas
Damon A. H. Denys
Autumn’s Vantage
giclée print on canvas
Damon A. H. Denys
Autumn’s First Breath: A New Beginning
giclée print on canvas
Damon A. H. Denys
October Eve Study #2
oil on linen
No Longer Available
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Damon A. H. Denys
Static 5
oil on linen
Damon A. H. Denys
Life’s Small Pleasures
oil on linen
Damon A. H. Denys
Precision
oil on linen
Damon A. H. Denys
The Bay Bridge
pastel on paper
Damon A. H. Denys
Two Shores
oil on linen
Damon A. H. Denys
Titania, the Faerie Queen at Rest
oil on linen
Damon A. H. Denys
Waiting for the Gala
charcoal on board
Damon A. H. Denys
Icarus
oil on linen
Damon A. H. Denys
Garden Solace
oil on linen
Damon A. H. Denys
Self-Portrait
colored pencil on paper
Damon A. H. Denys
Self-Portrait II
colored pencil on paper
Damon A. H. Denys
Static III
pastel on paper
Damon A. H. Denys
Into the Distance
oil on linen
Damon A. H. Denys
Passage
oil on linen
Damon A. H. Denys
Symmetry
oil on linen
Damon A. H. Denys
Sunset: a Study of Atmosphere
oil on canvas
Damon A. H. Denys
Dusk
oil on linen
Damon A. H. Denys
October Eve Study #1
oil on linen
Damon A. H. Denys
The Golden Apple
oil on linen
Damon A. H. Denys
Puck: On the Eve of a Mid-Summer’s Night
oil on linen
Damon A. H. Denys
Static II
oil on linen
Damon A. H. Denys
Static I
pastel on paper
Damon A. H. Denys
An Evening Storm
oil on linen
Damon A. H. Denys
Portrait of Claudia
oil on linen
Damon A. H. Denys
Human Nature
oil on linen
"I've pursued an education in art history at the University of Utah and Utah State University, and have attended lecture courses at Cambridge University in England for the same purpose. I hold a degree in art history from the University of Utah.
"My technique is self-taught, deriving from personal study of the works of the old masters, principally those of Victorian England. My private course of study has been separate from my formal academic studies in art history, due to the unsatisfactory subjectivism and poor awareness of materials and media in University art programs.
"My main focus is craftsmanship that follows the sound practices of the pre-modernistic era, together with rational, objective subjects with understandable romantic themes. Because my style employs realistic technique and Romantic subjects, my art may be classified as Romantic Realism. Because my preferred subjects are Romantic, the human form has the highest importance in my work.
"It is the study of the human form that has led to my emphasis on portraiture. Although my works are mainly figurative, landscape and still-life elements play an important role in my compositions.
"My previous experience includes portraiture and original works, fantasy illustration and illustration of poetry, mural and faux painting for interior design, competition in museum and gallery shows, and web-page oriented graphic design. My historical emphasis is on the English classical painters and the Pre-Raphaelites."
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