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« A Pear-A-Tif: Step 2
A Pear-A-Tif: Step 4 »

A Pear-A-Tif: Step 3

A Pear-A-Tif

There, it’s finished! Well, it might look that way. But when it comes to creating a trompe l’oeil oil painting, we are just getting started. We still need to touch up some details and add a bit of chocolate syrup dripping off the plate, and then the fun will begin.

I don’t want to get into too much detail about what comes next, but I will say this: it’s very important to keep reserves on hand of the colors you’ve used up until this point. The transition from mild mannered oil painting to trompe l’oeil is a sensitive process, and sometimes it leaves missing specs of paint in its wake. And the chance of finding that exact same color mix again… very small. I put spare samples onto little squares of plastic or into plastic containers, and wrap them up for later use.

This entry was posted on Wednesday, November 15th, 2006 at 4:29 pm and is filed under A Pear-A-Tif. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.

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About Bryan Larsen ~

Bryan Larsen

"I was born on February 12, 1975, and have been drawing as long as I can remember. By the time I was in high school, I knew I wanted to be an artist, although at the time I didn't have a clear idea of how exactly I would use my talents to make a living.

"As I continued studying art, I began to suspect that fine visual art was dead. No one seemed interested in teaching students how to draw well, or paint well. More often than not, my own skills exceeded those of my instructors.

"The only field left that seemed to require good drawing, painting, and compositional skills was illustration, and therefore I began studying illustration at Utah State University in Logan, Utah. I became even more convinced that I had made the right decision in staying away from fine art as I endured course after course of required "drawing" and "painting" classes in which instructors required me to draw with "less focus", or use ridiculous materials such as shellac, glue, sand, salt, etc.

"My second year at Utah State, I met Damon Denys. In discussing Art with him I realized that there were other people who believed that technique and subject matter were indispensable components of any work of art. I then decided that I would work to develop my own painting skills with the purpose of creating artwork that I considered worthy of being called Fine Art.

"Since that time, I have studied on my own: Drawing from live models to learn the human form, studying proper painting techniques from any source I could find ample reason to trust, and developing a philosophy of Art based on reason, and life on earth.

"My goal is to portray the heroic and romantic in human nature and human achievement in a realistic style and a modern setting. I place particular emphasis on composition, technique, realistic detail, proper craftsmanship and consistency of style."