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Asher: Step 5

Asher

In this step I will be finishing off the lower half of the Ernie doll. As I re-read the previous steps, I realize that I keep repeating the description of the dark-to-light, mid-tone-to-highlight process. These five images should illustrate that process a little better.

In Image 1, I have mixed four different mid-tone colors, and very quickly chopped them in to place. At this point I am only concerned with the most general form.

Image 2 shows the same four colors once they have been blended a bit.

In Image 3, I have used a dark blue and black to paint the darkest areas and further define some of the major wrinkles. It is at this point that it is easy to get carried away and muddy up the whole thing. This is far more likely if the mid-tones are painted in too light. It is much easier to correct for too-dark mid-tones, but of course the preferred method is to paint them so that no correction is needed at all.

In Image 4, the main highlights have been blended in to give the pants their final color and define the lesser wrinkles.

Image 5 shows the finished pants and shoes. A few final highlights were added in pure white to the pants to really make them pop. Once again, this is an easy place to get carried away. The highlights only work because of their contrast with the rest of the colors…add too many and you end up with white pants. The shoes were painted in the same way.

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About Bryan Larsen ~

Bryan Larsen

"I was born on February 12, 1975, and have been drawing as long as I can remember. By the time I was in high school, I knew I wanted to be an artist, although at the time I didn't have a clear idea of how exactly I would use my talents to make a living.

"As I continued studying art, I began to suspect that fine visual art was dead. No one seemed interested in teaching students how to draw well, or paint well. More often than not, my own skills exceeded those of my instructors.

"The only field left that seemed to require good drawing, painting, and compositional skills was illustration, and therefore I began studying illustration at Utah State University in Logan, Utah. I became even more convinced that I had made the right decision in staying away from fine art as I endured course after course of required "drawing" and "painting" classes in which instructors required me to draw with "less focus", or use ridiculous materials such as shellac, glue, sand, salt, etc.

"My second year at Utah State, I met Damon Denys. In discussing Art with him I realized that there were other people who believed that technique and subject matter were indispensable components of any work of art. I then decided that I would work to develop my own painting skills with the purpose of creating artwork that I considered worthy of being called Fine Art.

"Since that time, I have studied on my own: Drawing from live models to learn the human form, studying proper painting techniques from any source I could find ample reason to trust, and developing a philosophy of Art based on reason, and life on earth.

"My goal is to portray the heroic and romantic in human nature and human achievement in a realistic style and a modern setting. I place particular emphasis on composition, technique, realistic detail, proper craftsmanship and consistency of style."