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Born With Wings: Step 11

Born With Wings

Painting close fitting clothing can be deceptively tricky. A few wrinkles out of place, and the figure can look a bit misshapen underneath. That said, I really enjoyed painting the shirt because it seemed to pull a lot of loose ends together, and effectively completed the top half of the canvas. The more primer is covered by finished painting, the more the colors begin to work together. When I first started painting in oils, I struggled with light colored items, especially whites. The shadow areas always looked muddy, and the highlights never really very white. It seems obvious now, but what I had failed to observe was that looking at a white shirt, even the darkest shadows are far from black and the mid-tones reflect the colors around them much more than you would think. I started mixing the colors on the light side, and reserving the darker tones until the item was all but finished. I found that often I didn’t even use the darkest few shades on the palette. To avoid the muddiness, I switched from trying to work darks into lights to working lights into darks. Titanium white (if you use a good brand of paint) is actually strong enough to overpower a lot of other pigments.

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About Bryan Larsen ~

Bryan Larsen

"I was born on February 12, 1975, and have been drawing as long as I can remember. By the time I was in high school, I knew I wanted to be an artist, although at the time I didn't have a clear idea of how exactly I would use my talents to make a living.

"As I continued studying art, I began to suspect that fine visual art was dead. No one seemed interested in teaching students how to draw well, or paint well. More often than not, my own skills exceeded those of my instructors.

"The only field left that seemed to require good drawing, painting, and compositional skills was illustration, and therefore I began studying illustration at Utah State University in Logan, Utah. I became even more convinced that I had made the right decision in staying away from fine art as I endured course after course of required "drawing" and "painting" classes in which instructors required me to draw with "less focus", or use ridiculous materials such as shellac, glue, sand, salt, etc.

"My second year at Utah State, I met Damon Denys. In discussing Art with him I realized that there were other people who believed that technique and subject matter were indispensable components of any work of art. I then decided that I would work to develop my own painting skills with the purpose of creating artwork that I considered worthy of being called Fine Art.

"Since that time, I have studied on my own: Drawing from live models to learn the human form, studying proper painting techniques from any source I could find ample reason to trust, and developing a philosophy of Art based on reason, and life on earth.

"My goal is to portray the heroic and romantic in human nature and human achievement in a realistic style and a modern setting. I place particular emphasis on composition, technique, realistic detail, proper craftsmanship and consistency of style."