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Born With Wings: Step 18

Born With Wings

The last step of the painting was the signature. Ever since Junior High School I have been signing my drawings and paintings with a lower case b. I have come to think of it as almost a corporate logo for myself. In my more recent, more serious pieces, I have been giving the b a theme to match the painting. I was going to try and do something a little different in 2003 by hiding the b in the background where it might have been found anyway (the hatch label in How Far We’ve Come and the steel company logo on the crane in The Anchorage). In the compositional sketch for this painting the b is shown on the fuselage of the plane, I thought as the registry number. I found while researching the plane for the painting, however, that the registry number for planes in the U.S. always begins with an N, and that it is usually found on the wings. So I fell back on my earlier tradition and painted the little b logo in the bottom left corner (the registry number on its wings is the date).

And so, I give you Born with Wings. A tribute to the freedom granted to all people, if they choose to use their minds, to go anywhere their ambition leads them; even if it is supposed to be impossible.

One Response to “Born With Wings: Step 18”

  1. Brian Young Says:

    I’d just like to say, job well done. Excellent work. I’m not very knowledgeable of the artistic process, so reading through the process behind this painting was very enlightening.

    Mr. Larsen’s work celebrates the best of man. This is particularly valuable during these troubled times when the rest of society is so attached to celebrating the very worst of man. I quote Thomas Jefferson:

    “For I agree with you that there is a natural aristocracy among men. The grounds of this are virtue and talent.”

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About Bryan Larsen ~

Bryan Larsen

"I was born on February 12, 1975, and have been drawing as long as I can remember. By the time I was in high school, I knew I wanted to be an artist, although at the time I didn't have a clear idea of how exactly I would use my talents to make a living.

"As I continued studying art, I began to suspect that fine visual art was dead. No one seemed interested in teaching students how to draw well, or paint well. More often than not, my own skills exceeded those of my instructors.

"The only field left that seemed to require good drawing, painting, and compositional skills was illustration, and therefore I began studying illustration at Utah State University in Logan, Utah. I became even more convinced that I had made the right decision in staying away from fine art as I endured course after course of required "drawing" and "painting" classes in which instructors required me to draw with "less focus", or use ridiculous materials such as shellac, glue, sand, salt, etc.

"My second year at Utah State, I met Damon Denys. In discussing Art with him I realized that there were other people who believed that technique and subject matter were indispensable components of any work of art. I then decided that I would work to develop my own painting skills with the purpose of creating artwork that I considered worthy of being called Fine Art.

"Since that time, I have studied on my own: Drawing from live models to learn the human form, studying proper painting techniques from any source I could find ample reason to trust, and developing a philosophy of Art based on reason, and life on earth.

"My goal is to portray the heroic and romantic in human nature and human achievement in a realistic style and a modern setting. I place particular emphasis on composition, technique, realistic detail, proper craftsmanship and consistency of style."