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Breaking Through: Step 3

On the condition that I continue design work on the house itself, that sketch went over well.  So, the basic layout and proportions of the composition were finalized, the pose of the figure and his position in relation to the house were decided on, and I was beginning to form a much clearer idea of the color scheme and mood I wanted to achieve in the painting.  I began to keep my eyes open for a suitable model, and started gathering potential reference material for the sky, ocean and cliffs in the background.  But more importantly, I put a lot of time into the design of the house.  I did scores of sketches, most of which ended up in the trash, many of which I don’t have images of, and some of which were really pretty silly…though a legitimate part of the brainstorming process.  Most of these design drawings were done just of the house itself, though occasionally I would include the figure just to get a feel for how the whole composition was working together. I sent many of these quick drawings to the client to get feedback, and incorporated new ideas or deleted parts of the design based on his reactions.  Below are a few examples.

Breaking Through

This one was pretty stylized, and very angular.  Maybe a bit too futuristic…but I kind of liked it.  A lot of these design features ended up in the final house in one form or another.

Breaking Through

I think this one was mainly a counter to the sharp angle of its predecessor.  It felt a little like a concert hall to me for some reason.

Breaking Through

Here the Architect makes a showing.  There were a lot of things about the house that the client really liked, including the general layout, the curved sections of glass and the lower left side built into the face of the cliff.  But, the pointed peaks of the roof, which I included in an attempt to mirror some of the shapes in the cliffs, just weren’t working for him.  In retrospect, I agree.  He also wanted to lose the pointy prominence of the cliff face centered under the house, and bring a little more of the living space down the right side of the rock.

Breaking Through

This is a slightly better version of the previous design.  I really liked the angled balconies on the lower portion of this one.  It still needs some of the changes mentioned above, including the roof sections which I believe were occasionally being referenced by this point as the ‘tongues’.

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About Bryan Larsen ~

Bryan Larsen

"I was born on February 12, 1975, and have been drawing as long as I can remember. By the time I was in high school, I knew I wanted to be an artist, although at the time I didn't have a clear idea of how exactly I would use my talents to make a living.

"As I continued studying art, I began to suspect that fine visual art was dead. No one seemed interested in teaching students how to draw well, or paint well. More often than not, my own skills exceeded those of my instructors.

"The only field left that seemed to require good drawing, painting, and compositional skills was illustration, and therefore I began studying illustration at Utah State University in Logan, Utah. I became even more convinced that I had made the right decision in staying away from fine art as I endured course after course of required "drawing" and "painting" classes in which instructors required me to draw with "less focus", or use ridiculous materials such as shellac, glue, sand, salt, etc.

"My second year at Utah State, I met Damon Denys. In discussing Art with him I realized that there were other people who believed that technique and subject matter were indispensable components of any work of art. I then decided that I would work to develop my own painting skills with the purpose of creating artwork that I considered worthy of being called Fine Art.

"Since that time, I have studied on my own: Drawing from live models to learn the human form, studying proper painting techniques from any source I could find ample reason to trust, and developing a philosophy of Art based on reason, and life on earth.

"My goal is to portray the heroic and romantic in human nature and human achievement in a realistic style and a modern setting. I place particular emphasis on composition, technique, realistic detail, proper craftsmanship and consistency of style."