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Deliberation: Step 6

Deliberation 6-1

I had so much fun painting this hand. Now that the new technique is getting more familiar, I am able to concentrate less on the technical side of things, and more on the aesthetic. I have always enjoyed painting hands. I find them to be often just as expressive as faces. This one was also lit in a very beautiful way, and so gracefully draped across the foot. As with the other flesh in this painting, I started out with an under-painting which was allowed to dry, and then came back with the flesh-tones, working into a thin layer of oil and burnt umber. In between those two steps, I decided to begin dropping the background into place. Having been on a bit of a concrete bender lately, I dove right in. I was already really pleased with the floor, and was limited by the reflections as to the basic set-up of the wall behind the figure. As soon as I finished it, however, I disliked it completely. It was far too busy and flat. I would eventually paint over it. At this point I was also beginning to think about what would be outside the windows.

This entry was posted on Wednesday, June 3rd, 2009 at 3:16 pm and is filed under Deliberation. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.

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About Bryan Larsen ~

Bryan Larsen

"I was born on February 12, 1975, and have been drawing as long as I can remember. By the time I was in high school, I knew I wanted to be an artist, although at the time I didn't have a clear idea of how exactly I would use my talents to make a living.

"As I continued studying art, I began to suspect that fine visual art was dead. No one seemed interested in teaching students how to draw well, or paint well. More often than not, my own skills exceeded those of my instructors.

"The only field left that seemed to require good drawing, painting, and compositional skills was illustration, and therefore I began studying illustration at Utah State University in Logan, Utah. I became even more convinced that I had made the right decision in staying away from fine art as I endured course after course of required "drawing" and "painting" classes in which instructors required me to draw with "less focus", or use ridiculous materials such as shellac, glue, sand, salt, etc.

"My second year at Utah State, I met Damon Denys. In discussing Art with him I realized that there were other people who believed that technique and subject matter were indispensable components of any work of art. I then decided that I would work to develop my own painting skills with the purpose of creating artwork that I considered worthy of being called Fine Art.

"Since that time, I have studied on my own: Drawing from live models to learn the human form, studying proper painting techniques from any source I could find ample reason to trust, and developing a philosophy of Art based on reason, and life on earth.

"My goal is to portray the heroic and romantic in human nature and human achievement in a realistic style and a modern setting. I place particular emphasis on composition, technique, realistic detail, proper craftsmanship and consistency of style."