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Man of the Future: Step 1

Man of the Future

Hello and thank you for joining me here for this Artist’s Studio. I will be walking you through the process of creating a lifesize bronze sculpture, from conception to finished bronze. The piece is called “Man of the Future”, depicting a boy looking up in thought from reading a book.

The creation of a clay image is the first step of a lengthy process that has only just begun when that clay sculpture is finished. Bronze is cast using the “cire purdue” or “lost wax” casting method, which involves making wax copies of the image which are then used to make secondary molds in which to cast the molten bronze. Yes it sounds confusing, but hopefully I can illuminate the casting process and help impart an enhanced appreciation of the work that goes into each bronze sculpture, both by the artist and the foundry that brings you the finished product of the artist’s vision.

I will be taking you through the sculpting of the two clay images (small and large), then the foundry processes of mold making, wax casting, ceramic shell molds, bronze pour, assembly, “chasing”, and patina of a lifesize bronze.

The first stage is the “maquette”, or scaled down version, which for this piece is 1/3 of lifesize.These can be just a rough thumbnail sketch used just to create a composition and then discarded, or as in this case, finished and cast as it’s own limited edition. The clay maquette was started with a modelling session at the foundry that will cast the bronzes of this sculpture. The 10 year old son of one of the employees modelled for the piece, and the clay maquette was pretty much fleshed out how I wanted it in one session, thanks to a good model and some luck. Measurements and photos were also taken of the model for reference. You will probably notice that I didn’t start the face at the same time as the rest of the piece- this wasn’t because the model was funny looking, I just usually prefer to do faces mostly from scratch, giving a look that is hopefully identifiable as my work.

Man of the Future, By Karl Jensen

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About Bryan Larsen ~

Bryan Larsen

"I was born on February 12, 1975, and have been drawing as long as I can remember. By the time I was in high school, I knew I wanted to be an artist, although at the time I didn't have a clear idea of how exactly I would use my talents to make a living.

"As I continued studying art, I began to suspect that fine visual art was dead. No one seemed interested in teaching students how to draw well, or paint well. More often than not, my own skills exceeded those of my instructors.

"The only field left that seemed to require good drawing, painting, and compositional skills was illustration, and therefore I began studying illustration at Utah State University in Logan, Utah. I became even more convinced that I had made the right decision in staying away from fine art as I endured course after course of required "drawing" and "painting" classes in which instructors required me to draw with "less focus", or use ridiculous materials such as shellac, glue, sand, salt, etc.

"My second year at Utah State, I met Damon Denys. In discussing Art with him I realized that there were other people who believed that technique and subject matter were indispensable components of any work of art. I then decided that I would work to develop my own painting skills with the purpose of creating artwork that I considered worthy of being called Fine Art.

"Since that time, I have studied on my own: Drawing from live models to learn the human form, studying proper painting techniques from any source I could find ample reason to trust, and developing a philosophy of Art based on reason, and life on earth.

"My goal is to portray the heroic and romantic in human nature and human achievement in a realistic style and a modern setting. I place particular emphasis on composition, technique, realistic detail, proper craftsmanship and consistency of style."