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Man of the Future: Step 11

Man of the Future

Hello again and thank you for joining me for this Artist’s Studio.
We are now ready to start the ceramic “shell”, which is actually a second “mold” created for each bronze in a limited edition. Because bronze is just under 2000* F when molten, we need a mold that can tolerate that temperature. Also, you don’t want a casting that is solid bronze, so we are using hollow wax castings which will produce a hollow bronze casting. The wax pieces have the “sprues” and “cups” attached as mentioned last time, and they now begin one of the longest parts of the process.

Man of the Future

The pieces are covered in a liquid ceramic mix, which must air-dry between each coat.

Man of the Future

There are different mixtures used as the thickness is built up over several weeks, until it is about an inch thick.

Man of the Future

Man of the Future

You can see the finished shells in the last photo, turned upside down (the cup is at the bottom) to melt the wax out in the “autoclave”, a heating camber which captures the melted wax so it may be recycled.

Man of the Future

When the wax is melted out of the shell, we have a mold which has captured not only the outside features, but the hollow inside of the wax casting as well.

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About Bryan Larsen ~

Bryan Larsen

"I was born on February 12, 1975, and have been drawing as long as I can remember. By the time I was in high school, I knew I wanted to be an artist, although at the time I didn't have a clear idea of how exactly I would use my talents to make a living.

"As I continued studying art, I began to suspect that fine visual art was dead. No one seemed interested in teaching students how to draw well, or paint well. More often than not, my own skills exceeded those of my instructors.

"The only field left that seemed to require good drawing, painting, and compositional skills was illustration, and therefore I began studying illustration at Utah State University in Logan, Utah. I became even more convinced that I had made the right decision in staying away from fine art as I endured course after course of required "drawing" and "painting" classes in which instructors required me to draw with "less focus", or use ridiculous materials such as shellac, glue, sand, salt, etc.

"My second year at Utah State, I met Damon Denys. In discussing Art with him I realized that there were other people who believed that technique and subject matter were indispensable components of any work of art. I then decided that I would work to develop my own painting skills with the purpose of creating artwork that I considered worthy of being called Fine Art.

"Since that time, I have studied on my own: Drawing from live models to learn the human form, studying proper painting techniques from any source I could find ample reason to trust, and developing a philosophy of Art based on reason, and life on earth.

"My goal is to portray the heroic and romantic in human nature and human achievement in a realistic style and a modern setting. I place particular emphasis on composition, technique, realistic detail, proper craftsmanship and consistency of style."