Skip to content • Skip to gallery information

Quent Cordair Fine Art

Click to chat with
a gallery representative

Like us on Facebook

« Man of the Future: Step 2
Man of the Future: Step 4 »

Man of the Future: Step 3

Man of the Future

Hello again and thank you for joining me for this Artist’s Studio. Here I am starting the “point up” of the life size clay sculpture from the clay maquette. First, an armature is attached to the base, in this case I am using soft copper tubing, then the mass of the piece is filled out as much as possible with rigid foam insulation and then a spray foam which can be carved back to leave room for a layer of clay. The foam saves weight (as clay is very heavy) and also makes a stronger, more stable sculpture which will hold up better as it is transported to the foundry and during the mold making process.

Man of the Future, By Karl Jensen
Man of the Future, By Karl Jensen
Man of the Future, By Karl Jensen

Tags: ,

This entry was posted on Saturday, December 30th, 2006 at 5:16 pm and is filed under Man of the Future. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.

Leave a Reply

About Bryan Larsen ~

Bryan Larsen

"I was born on February 12, 1975, and have been drawing as long as I can remember. By the time I was in high school, I knew I wanted to be an artist, although at the time I didn't have a clear idea of how exactly I would use my talents to make a living.

"As I continued studying art, I began to suspect that fine visual art was dead. No one seemed interested in teaching students how to draw well, or paint well. More often than not, my own skills exceeded those of my instructors.

"The only field left that seemed to require good drawing, painting, and compositional skills was illustration, and therefore I began studying illustration at Utah State University in Logan, Utah. I became even more convinced that I had made the right decision in staying away from fine art as I endured course after course of required "drawing" and "painting" classes in which instructors required me to draw with "less focus", or use ridiculous materials such as shellac, glue, sand, salt, etc.

"My second year at Utah State, I met Damon Denys. In discussing Art with him I realized that there were other people who believed that technique and subject matter were indispensable components of any work of art. I then decided that I would work to develop my own painting skills with the purpose of creating artwork that I considered worthy of being called Fine Art.

"Since that time, I have studied on my own: Drawing from live models to learn the human form, studying proper painting techniques from any source I could find ample reason to trust, and developing a philosophy of Art based on reason, and life on earth.

"My goal is to portray the heroic and romantic in human nature and human achievement in a realistic style and a modern setting. I place particular emphasis on composition, technique, realistic detail, proper craftsmanship and consistency of style."