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« Motive Force: Step 5
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Motive Force: Step 6

Motive Force

The background is finished, and I must admit I love it. One or two areas will need a little attention later, specifically the sky. As the paint dried a little of the sketch began to show through. In the last post I mentioned something about detail adding context to an image. In this step there is a good example. The rugged landscape, the rough, weathered ties, and the gravel all make the shiny, polished rail stand out and seem important by comparison. Having said that, I will offer this word of caution to any aspiring painters out there…..think carefully about your attention span before designing a composition in which the entire foreground is gravel. And try to remember to blink occasionally while painting it.

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This entry was posted on Monday, October 25th, 2004 at 5:11 pm and is filed under Motive Force. You can follow any responses to this entry through the RSS 2.0 feed. You can leave a response, or trackback from your own site.

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About Bryan Larsen ~

Bryan Larsen

"I was born on February 12, 1975, and have been drawing as long as I can remember. By the time I was in high school, I knew I wanted to be an artist, although at the time I didn't have a clear idea of how exactly I would use my talents to make a living.

"As I continued studying art, I began to suspect that fine visual art was dead. No one seemed interested in teaching students how to draw well, or paint well. More often than not, my own skills exceeded those of my instructors.

"The only field left that seemed to require good drawing, painting, and compositional skills was illustration, and therefore I began studying illustration at Utah State University in Logan, Utah. I became even more convinced that I had made the right decision in staying away from fine art as I endured course after course of required "drawing" and "painting" classes in which instructors required me to draw with "less focus", or use ridiculous materials such as shellac, glue, sand, salt, etc.

"My second year at Utah State, I met Damon Denys. In discussing Art with him I realized that there were other people who believed that technique and subject matter were indispensable components of any work of art. I then decided that I would work to develop my own painting skills with the purpose of creating artwork that I considered worthy of being called Fine Art.

"Since that time, I have studied on my own: Drawing from live models to learn the human form, studying proper painting techniques from any source I could find ample reason to trust, and developing a philosophy of Art based on reason, and life on earth.

"My goal is to portray the heroic and romantic in human nature and human achievement in a realistic style and a modern setting. I place particular emphasis on composition, technique, realistic detail, proper craftsmanship and consistency of style."