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Vantage Point: Step 3

Vantage Point

I am continuing to paint the flesh with work on the figure’s left leg. The series of images on the left shows the basic technique I am using. I begin by blocking in large areas of color in the mid-tones. Next I blend the colors together, working in some deeper shadows and brighter highlight colors to define the basic shape. I continue working in darker shadows and brighter highlights until the desired level of contrast is reached. During this process I am also refining the shapes of the muscles and tendons in the leg. As with the arm, the dark outline around the leg allows me to soften the edges by blending into it slightly, and also allows a little fine-tuning of the overall form.

I blocked in the shape of the hair to allow the base coat to dry while I finish work on the legs.

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About Bryan Larsen ~

Bryan Larsen

"I was born on February 12, 1975, and have been drawing as long as I can remember. By the time I was in high school, I knew I wanted to be an artist, although at the time I didn't have a clear idea of how exactly I would use my talents to make a living.

"As I continued studying art, I began to suspect that fine visual art was dead. No one seemed interested in teaching students how to draw well, or paint well. More often than not, my own skills exceeded those of my instructors.

"The only field left that seemed to require good drawing, painting, and compositional skills was illustration, and therefore I began studying illustration at Utah State University in Logan, Utah. I became even more convinced that I had made the right decision in staying away from fine art as I endured course after course of required "drawing" and "painting" classes in which instructors required me to draw with "less focus", or use ridiculous materials such as shellac, glue, sand, salt, etc.

"My second year at Utah State, I met Damon Denys. In discussing Art with him I realized that there were other people who believed that technique and subject matter were indispensable components of any work of art. I then decided that I would work to develop my own painting skills with the purpose of creating artwork that I considered worthy of being called Fine Art.

"Since that time, I have studied on my own: Drawing from live models to learn the human form, studying proper painting techniques from any source I could find ample reason to trust, and developing a philosophy of Art based on reason, and life on earth.

"My goal is to portray the heroic and romantic in human nature and human achievement in a realistic style and a modern setting. I place particular emphasis on composition, technique, realistic detail, proper craftsmanship and consistency of style."