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Winter Evening: Step 16

The fire is, for the most part, finished. For reference material, I was able to find several different images of fires burning in various fireplaces, but not a fire I liked in a fireplace I liked, so as with most of the rest of the background, I combined elements from the various images, and filled in the rest with what seemed to look right to me. I blocked in all of the light colors first, the basic colors for the bricks, and a bright yellow-white for the shape of the flames. Next I went back over the bricks with the darker tones, adding shadows and texture where necessary. I used a very bright mixture of cadmium yellow, a hint of cadmium red, and titanium white as well as pure titanium white to add shape and varying degrees of brightness to the fire (Titanium white dries slowly, and has a tendency to become slightly more transparent when dry…so I will probably have to paint in at least one more layer of white over the flames later on). Next I painted the log in front of the flames using a technique very similar to the one used to paint the stones of the fireplace. When the log was finished, I painted the coals on the floor and the concrete of the floor. The shadows and the foreground coals were some of the areas for which I had no good reference material, but I think they ended up looking great. The wrought iron grate was painted last (it is in the extreme foreground, and is mostly black…it is usually a good idea to paint the darkest colors toward the end if you are working wet on wet, as I was.) After everything was basically in place, I went back with the darkest darks and added the deepest shadows to the bricks, the coals, the log, etc. I also brightened as much of the highlights as I could, with the paint still wet. After the rest of the painting is finished, or if I have some time while waiting for elements of the chair or figure to dry, I will do some minor touchups to the flames and the bricks (both the ones inside the firebox and the ones just around the outside) but they will be subtle enough that they most likely will not show up in a digital image.

The chair is next……

2 Responses to “Winter Evening: Step 16”

  1. JG Says:

    Bryan,

    Just curious. In examining the image that you posted, I’ve found that the fire-log you painted almost seems superimposed on the “fire” itself (i.e. there doesn’t seem to be any interaction or connection between the two). Are you going to “char” the fire-log in any way, or show the fire more actively eating/burning through it? I might be completely wrong on this, but I’d like to hear what you have to say.

  2. Bryan Larsen Says:

    Thanks for the question JG.

    The scrap material used for the logs and the flame is actually a new generation gas fireplace which burns with a brighter, more natural flame. The logs are ceramic, and do not burn or char. I like the more modern take on the comfort of a fire in the house without the mess or the smoke, and the convenience. It still gives the same warm, directional light to the room and, I think, makes a little more sense in this setting.

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About Bryan Larsen ~

Bryan Larsen

"I was born on February 12, 1975, and have been drawing as long as I can remember. By the time I was in high school, I knew I wanted to be an artist, although at the time I didn't have a clear idea of how exactly I would use my talents to make a living.

"As I continued studying art, I began to suspect that fine visual art was dead. No one seemed interested in teaching students how to draw well, or paint well. More often than not, my own skills exceeded those of my instructors.

"The only field left that seemed to require good drawing, painting, and compositional skills was illustration, and therefore I began studying illustration at Utah State University in Logan, Utah. I became even more convinced that I had made the right decision in staying away from fine art as I endured course after course of required "drawing" and "painting" classes in which instructors required me to draw with "less focus", or use ridiculous materials such as shellac, glue, sand, salt, etc.

"My second year at Utah State, I met Damon Denys. In discussing Art with him I realized that there were other people who believed that technique and subject matter were indispensable components of any work of art. I then decided that I would work to develop my own painting skills with the purpose of creating artwork that I considered worthy of being called Fine Art.

"Since that time, I have studied on my own: Drawing from live models to learn the human form, studying proper painting techniques from any source I could find ample reason to trust, and developing a philosophy of Art based on reason, and life on earth.

"My goal is to portray the heroic and romantic in human nature and human achievement in a realistic style and a modern setting. I place particular emphasis on composition, technique, realistic detail, proper craftsmanship and consistency of style."